{"title":"Helado Tropical","description":"","products":[{"product_id":"reyna-tropical-malegria-lp","title":"Reyna Tropical - Malegría (LP)","description":"\u003cp\u003e\u003cstrong\u003eStandard black vinyl edition, with poster.\u003c\/strong\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMalegría\u003c\/em\u003e, Reyna Tropical’s long-anticipated debut full-length album, is at once a vibrant arrival and an electrifying bridge. The portmanteau, born from a 1998 Manu Chao song by the same name, is akin to bittersweet and blends the Spanish “mal” which means “bad” and “alegría” which means “happiness.” It marks Reyna Tropical’s movement from a duo to a solo project. The album is a contemporary celebration and continuation of wide-reaching cultural traditions—from Congolese, Peruvian, and Colombian rhythms to revolutionary artists like lesbian guitarist-singer Chavela Vargas—these influences meld and are remixed through the distinctive lens of trailblazing guitarist and songwriter Fabi Reyna. Traversing themes including queer love, feminine sensuality, and the transformative power of intentional relations to the earth,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMalegría\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003espotlights narratives often pushed to the margins and offers them a sonic homeland.\u003c\/p\u003e\n\u003cp\u003eFormed in 2016, Reyna Tropical began as an organic, unhurried exchange between Fabi Reyna and Nectali “Sumohair” Diaz who met during a workshop series for emerging musicians. “Our first EP was so spur of the moment,” Reyna recalled. “What we needed was to document, to just do something for our hearts. Not for money, not for our livelihood. Just for us.” The band formed when Reyna had been immersed in full-time work founding and building She Shreds, the world’s first magazine dedicated to women and nonbinary guitarists, and was itching for a creative release and return to her musical roots. By January 2018, the band’s self-titled EP,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eReyna Tropical\u003c\/em\u003e, dropped and the foundations of the band’s spellbinding and distinctive sound were documented and formed. Best known for their rhythmic, hip-swaying tropical feel, the first Reyna Tropical tracks featured Ableton-made beats produced by Diaz—featuring Afro Indigenous drum patterns and environmental samples—expertly mixed with dreamy guitar riffs and soft vocals by Reyna.\u003c\/p\u003e\n\u003cp\u003eAfter the EP’s release, and the debut single, “Niña,” was featured on NPR Alt.Latino’s “Songs We Love” series, newfound fans and opportunities alike flocked. By year’s end the band was regularly selling out shows, joined as support on Bomba Estéreo’s US tour, and began booking gigs for major festivals and shows including SXSW, Cumbiatón, and Colombia’s Baile Sagrado. The band released another celebrated EP,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSol y Lluvia\u003c\/em\u003e, in 2019, created and recorded during creatively enriching extended stay in Colombia.\u003c\/p\u003e\n\u003cp\u003e“Things kept coming—studio tours, gigs, and different opportunities,” Reyna said while reflecting on the changes the band went through during the transition. “We were like, ‘Whoa, this is so weird! It’s working,’ but we didn’t even know what it was working for.” In 2020, after eight non-stop years building a business without time off, Reyna withdrew to nature for a community retreat. It was during this moment of stillness that the purpose of her life’s work, beyond running She Shreds Magazine, crystallized. For the next two years, Diaz and Reyna immersed themselves in a tropical journey guided by the music—from Cartagena, Colombia to Fajardo, Puerto Rico and Cuaji (la costa chica de Guerrero)—along the way, invited into a harmonious relationship with local land, culture, and music wisdom keepers.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMalegría\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the culmination of self exploration fortified through an attunement to land—alongside Diaz and through his passing. From the interludes to the found sounds,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMalegría\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eoffers a home to diasporic beings de aquí y de allá, diasporic beings who are in the process of searching for and returning to ancestral roots.\u003c\/p\u003e\n\u003cp\u003eOn “Cartagena,” the bright, multi-layered rhythms and vocals sing of feeling caressed and energized by the elements, and, at the core, there is the sense of a mutual exchange of trust and care between her and the land. By contrast, “La Mamá,” which opens in a seemingly-serene rainforest, builds into a\u003cbr\u003edrumline-backed battle cry denouncing the commercialization of healing and the spiritual tourists who seek only to extract from the environment—medicinal, or otherwise.\u003c\/p\u003e\n\u003cp\u003eThe interludes, which weave between each musical track, unfold a narrative all their own. “Goosebumps” and the subsequent “Singing” each offer peeks into the beautiful, unexpected push-and-pull that can transpire amid symbiotic collaboration. We, as listeners, are invited into the creative exchange between Diaz and Reyna, and the growing sense of power Reyna has found and is now sharing with others through her music. Meanwhile “Mestizaje” and “Queer Love and Afro Mexico” work together to chronicle the unlearning of erasure under a flattened definition of unity and, instead, uplift the importance of naming and celebrating distinct multifaceted identities and histories.\u003c\/p\u003e\n\u003cp\u003eThese sounds seamlessly blend into the final track, “Huitzilïn,” a tranquil, grounding ballad in which Reyna announces finally feeling her body, her spirit, her soul, and listening to all that surrounds her. “Huitzilïn,” the Nahuatl word for “hummingbird,” is a symbol of Indigenous strength in Mexico thought to guide those who are struggling to find their way home.\u003c\/p\u003e\n\u003cp\u003e“I’ve always wanted to have a home—a place or a sound or a person to go to—because I think our people, who are severed from our lands and our histories and our stories and our communities, have for generations not really known where to go,” Reyna said. “There are times on stage where I can feel that my movement isn’t my movement. I can feel that I’m being moved by and I’m speaking for other people. I know in my body when my ancestors are there, when a decision is us.”\u003c\/p\u003e\n\u003cp\u003eWhether enjoyed during listening parties or infectious live sets, the music will move listeners and irresistibly command a jump—into action in protection of the land, into the arms of a crush, into your own power and fearlessness, into steady body rolls along to the beat.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMalegría\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eoffers us all a chance to witness history in the making.\u003cbr\u003e—Emilly Prado\u003c\/p\u003e","brand":"Psychic Hotline","offers":[{"title":"Default Title","offer_id":47843113599285,"sku":"PSY040-LP","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0811\/2514\/6933\/files\/APD_ReynaTropical_Madegria03_Square.jpg?v=1705088927"},{"product_id":"reyna-tropical-malegria-cd","title":"Reyna Tropical - Malegría (CD)","description":"\u003cp\u003e\u003cstrong\u003eCD edition.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMalegría\u003c\/em\u003e, Reyna Tropical’s long-anticipated debut full-length album, is at once a vibrant arrival and an electrifying bridge. The portmanteau, born from a 1998 Manu Chao song by the same name, is akin to bittersweet and blends the Spanish “mal” which means “bad” and “alegría” which means “happiness.” It marks Reyna Tropical’s movement from a duo to a solo project. The album is a contemporary celebration and continuation of wide-reaching cultural traditions—from Congolese, Peruvian, and Colombian rhythms to revolutionary artists like lesbian guitarist-singer Chavela Vargas—these influences meld and are remixed through the distinctive lens of trailblazing guitarist and songwriter Fabi Reyna. Traversing themes including queer love, feminine sensuality, and the transformative power of intentional relations to the earth,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMalegría\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003espotlights narratives often pushed to the margins and offers them a sonic homeland.\u003c\/p\u003e\n\u003cp\u003eFormed in 2016, Reyna Tropical began as an organic, unhurried exchange between Fabi Reyna and Nectali “Sumohair” Diaz who met during a workshop series for emerging musicians. “Our first EP was so spur of the moment,” Reyna recalled. “What we needed was to document, to just do something for our hearts. Not for money, not for our livelihood. Just for us.” The band formed when Reyna had been immersed in full-time work founding and building She Shreds, the world’s first magazine dedicated to women and nonbinary guitarists, and was itching for a creative release and return to her musical roots. By January 2018, the band’s self-titled EP,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eReyna Tropical\u003c\/em\u003e, dropped and the foundations of the band’s spellbinding and distinctive sound were documented and formed. Best known for their rhythmic, hip-swaying tropical feel, the first Reyna Tropical tracks featured Ableton-made beats produced by Diaz—featuring Afro Indigenous drum patterns and environmental samples—expertly mixed with dreamy guitar riffs and soft vocals by Reyna.\u003c\/p\u003e\n\u003cp\u003eAfter the EP’s release, and the debut single, “Niña,” was featured on NPR Alt.Latino’s “Songs We Love” series, newfound fans and opportunities alike flocked. By year’s end the band was regularly selling out shows, joined as support on Bomba Estéreo’s US tour, and began booking gigs for major festivals and shows including SXSW, Cumbiatón, and Colombia’s Baile Sagrado. The band released another celebrated EP,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSol y Lluvia\u003c\/em\u003e, in 2019, created and recorded during creatively enriching extended stay in Colombia.\u003c\/p\u003e\n\u003cp\u003e“Things kept coming—studio tours, gigs, and different opportunities,” Reyna said while reflecting on the changes the band went through during the transition. “We were like, ‘Whoa, this is so weird! It’s working,’ but we didn’t even know what it was working for.” In 2020, after eight non-stop years building a business without time off, Reyna withdrew to nature for a community retreat. It was during this moment of stillness that the purpose of her life’s work, beyond running She Shreds Magazine, crystallized. For the next two years, Diaz and Reyna immersed themselves in a tropical journey guided by the music—from Cartagena, Colombia to Fajardo, Puerto Rico and Cuaji (la costa chica de Guerrero)—along the way, invited into a harmonious relationship with local land, culture, and music wisdom keepers.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMalegría\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the culmination of self exploration fortified through an attunement to land—alongside Diaz and through his passing. From the interludes to the found sounds,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMalegría\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eoffers a home to diasporic beings de aquí y de allá, diasporic beings who are in the process of searching for and returning to ancestral roots.\u003c\/p\u003e\n\u003cp\u003eOn “Cartagena,” the bright, multi-layered rhythms and vocals sing of feeling caressed and energized by the elements, and, at the core, there is the sense of a mutual exchange of trust and care between her and the land. By contrast, “La Mamá,” which opens in a seemingly-serene rainforest, builds into a\u003cbr\u003edrumline-backed battle cry denouncing the commercialization of healing and the spiritual tourists who seek only to extract from the environment—medicinal, or otherwise.\u003c\/p\u003e\n\u003cp\u003eThe interludes, which weave between each musical track, unfold a narrative all their own. “Goosebumps” and the subsequent “Singing” each offer peeks into the beautiful, unexpected push-and-pull that can transpire amid symbiotic collaboration. We, as listeners, are invited into the creative exchange between Diaz and Reyna, and the growing sense of power Reyna has found and is now sharing with others through her music. Meanwhile “Mestizaje” and “Queer Love and Afro Mexico” work together to chronicle the unlearning of erasure under a flattened definition of unity and, instead, uplift the importance of naming and celebrating distinct multifaceted identities and histories.\u003c\/p\u003e\n\u003cp\u003eThese sounds seamlessly blend into the final track, “Huitzilïn,” a tranquil, grounding ballad in which Reyna announces finally feeling her body, her spirit, her soul, and listening to all that surrounds her. “Huitzilïn,” the Nahuatl word for “hummingbird,” is a symbol of Indigenous strength in Mexico thought to guide those who are struggling to find their way home.\u003c\/p\u003e\n\u003cp\u003e“I’ve always wanted to have a home—a place or a sound or a person to go to—because I think our people, who are severed from our lands and our histories and our stories and our communities, have for generations not really known where to go,” Reyna said. “There are times on stage where I can feel that my movement isn’t my movement. I can feel that I’m being moved by and I’m speaking for other people. I know in my body when my ancestors are there, when a decision is us.”\u003c\/p\u003e\n\u003cp\u003eWhether enjoyed during listening parties or infectious live sets, the music will move listeners and irresistibly command a jump—into action in protection of the land, into the arms of a crush, into your own power and fearlessness, into steady body rolls along to the beat.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMalegría\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eoffers us all a chance to witness history in the making.\u003cbr\u003e—Emilly Prado\u003c\/p\u003e","brand":"Psychic Hotline","offers":[{"title":"Default Title","offer_id":47843168878901,"sku":"PSY040-CD","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0811\/2514\/6933\/files\/CDwBG_Square_WEB.jpg?v=1705089454"},{"product_id":"little-waves-coffee-x-reyna-tropical-malegria-coffee-beans","title":"Reyna Tropical x Little Waves Coffee - Malegría Coffee Beans","description":"\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eMalegría, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003ethe portmanteau, born from a 1998 Manu Chao song by the same name, is akin to bittersweet and blends the Spanish “mal” which means “bad\" and “alegría” which means “happiness,” and marks Reyna Tropical’s movement from a duo to a solo project.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMalegría is a 50\/50 blend of Mexican coffees; one from Chiapas by the women’s group of Bella Vista, and a blend from Oaxaca.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTasting notes from Reyna Tropical:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eclassic, calm, with notes of cacao that feels like velvet in your mouth and reminds you of waking up at your abuelas house and drinking un cafecito con un pan or if you’re en la costa, sitting on the beach in the morning brisk air being warmed by a full, enveloping-blanket-like cafe. Coffee but the color of sand and slow moving, shallow clear ocean bay water 💦\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBella Vista Mayan Harvest’s Cafe de Mujeres\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is sourced from 168 family-owned farms located in communities within the Bella Vista municipality in Chiapas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRosalba Cifuentes Tovia’s family has been growing coffee in Bella Vista for over a century, and Rosalba has dedicated herself to helping producers in the area. Rosalba’s story is powerful, and the work she does with Bella Vista is equally powerful. She was raised in the Bella Vista community and has dedicated herself to helping small-scale producers in the area. She also works with female producers in the area to promote their coffees, improve quality, and move past the gender inequity in the region.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThanks to her dedication, Mayan Harvest coffees get better and better every year. This is our fourth year purchasing from Mayan Harvest, and the third time we’ve offered from the Mayan Harvest Women’s Group. We taste cinnamon, caramel, and apple cider; we think this is a shining example of the beauty Mexican coffees have to offer. We hope you love it as much as we do! \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe Mazateca region\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e is famous for its diverse flora and fauna. High in the mountains of Northern Oaxaca, the community there has a culture rich with ritual, legend, and tradition: it is the birthplace of Día de los Muertos (Day of the Dead), created to commemorate death and the importance of life, and to honor our families and ancestry.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn 2016, a group of producers gathered and created an organization (called ORCE Mazateca) with the objective of boosting the production of specialty coffee in the area and improve the livelihood of hundreds of small-scale producers. Coffee quality has greatly improved in the Mazateca region during the last few years thanks to these efforts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eThis iteration of our \u003c\/span\u003e\u003cb\u003eDanipaguache \u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003eseries, which highlights Mexican coffees, is a beautiful example of what these coffees can be: smooth and well-rounded with a distinct chocolatey and cashew-like sweetness with notes of ripe plum.\u003c\/span\u003e","brand":"Psychic Hotline","offers":[{"title":"Default Title","offer_id":48558946255157,"sku":"PSY-RT-COFFEE","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0811\/2514\/6933\/files\/Coffee.jpg?v=1711565670"},{"product_id":"reyna-tropical-malegria-naranja-lp","title":"Reyna Tropical - Malegría (Naranja LP)","description":"\u003cp\u003e\u003cstrong\u003eNaranja vinyl edition, with poster. Only available online and limited to 500 copies. This variant will not be re-pressed.\u003c\/strong\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMalegría\u003c\/em\u003e, Reyna Tropical’s long-anticipated debut full-length album, is at once a vibrant arrival and an electrifying bridge. The portmanteau, born from a 1998 Manu Chao song by the same name, is akin to bittersweet and blends the Spanish “mal” which means “bad” and “alegría” which means “happiness.” It marks Reyna Tropical’s movement from a duo to a solo project. The album is a contemporary celebration and continuation of wide-reaching cultural traditions—from Congolese, Peruvian, and Colombian rhythms to revolutionary artists like lesbian guitarist-singer Chavela Vargas—these influences meld and are remixed through the distinctive lens of trailblazing guitarist and songwriter Fabi Reyna. Traversing themes including queer love, feminine sensuality, and the transformative power of intentional relations to the earth,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMalegría\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003espotlights narratives often pushed to the margins and offers them a sonic homeland.\u003c\/p\u003e\n\u003cp\u003eFormed in 2016, Reyna Tropical began as an organic, unhurried exchange between Fabi Reyna and Nectali “Sumohair” Diaz who met during a workshop series for emerging musicians. “Our first EP was so spur of the moment,” Reyna recalled. “What we needed was to document, to just do something for our hearts. Not for money, not for our livelihood. Just for us.” The band formed when Reyna had been immersed in full-time work founding and building She Shreds, the world’s first magazine dedicated to women and nonbinary guitarists, and was itching for a creative release and return to her musical roots. By January 2018, the band’s self-titled EP,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eReyna Tropical\u003c\/em\u003e, dropped and the foundations of the band’s spellbinding and distinctive sound were documented and formed. Best known for their rhythmic, hip-swaying tropical feel, the first Reyna Tropical tracks featured Ableton-made beats produced by Diaz—featuring Afro Indigenous drum patterns and environmental samples—expertly mixed with dreamy guitar riffs and soft vocals by Reyna.\u003c\/p\u003e\n\u003cp\u003eAfter the EP’s release, and the debut single, “Niña,” was featured on NPR Alt.Latino’s “Songs We Love” series, newfound fans and opportunities alike flocked. By year’s end the band was regularly selling out shows, joined as support on Bomba Estéreo’s US tour, and began booking gigs for major festivals and shows including SXSW, Cumbiatón, and Colombia’s Baile Sagrado. The band released another celebrated EP,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSol y Lluvia\u003c\/em\u003e, in 2019, created and recorded during creatively enriching extended stay in Colombia.\u003c\/p\u003e\n\u003cp\u003e“Things kept coming—studio tours, gigs, and different opportunities,” Reyna said while reflecting on the changes the band went through during the transition. “We were like, ‘Whoa, this is so weird! It’s working,’ but we didn’t even know what it was working for.” In 2020, after eight non-stop years building a business without time off, Reyna withdrew to nature for a community retreat. It was during this moment of stillness that the purpose of her life’s work, beyond running She Shreds Magazine, crystallized. For the next two years, Diaz and Reyna immersed themselves in a tropical journey guided by the music—from Cartagena, Colombia to Fajardo, Puerto Rico and Cuaji (la costa chica de Guerrero)—along the way, invited into a harmonious relationship with local land, culture, and music wisdom keepers.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMalegría\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the culmination of self exploration fortified through an attunement to land—alongside Diaz and through his passing. From the interludes to the found sounds,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMalegría\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eoffers a home to diasporic beings de aquí y de allá, diasporic beings who are in the process of searching for and returning to ancestral roots.\u003c\/p\u003e\n\u003cp\u003eOn “Cartagena,” the bright, multi-layered rhythms and vocals sing of feeling caressed and energized by the elements, and, at the core, there is the sense of a mutual exchange of trust and care between her and the land. By contrast, “La Mamá,” which opens in a seemingly-serene rainforest, builds into a\u003cbr\u003edrumline-backed battle cry denouncing the commercialization of healing and the spiritual tourists who seek only to extract from the environment—medicinal, or otherwise.\u003c\/p\u003e\n\u003cp\u003eThe interludes, which weave between each musical track, unfold a narrative all their own. “Goosebumps” and the subsequent “Singing” each offer peeks into the beautiful, unexpected push-and-pull that can transpire amid symbiotic collaboration. We, as listeners, are invited into the creative exchange between Diaz and Reyna, and the growing sense of power Reyna has found and is now sharing with others through her music. Meanwhile “Mestizaje” and “Queer Love and Afro Mexico” work together to chronicle the unlearning of erasure under a flattened definition of unity and, instead, uplift the importance of naming and celebrating distinct multifaceted identities and histories.\u003c\/p\u003e\n\u003cp\u003eThese sounds seamlessly blend into the final track, “Huitzilïn,” a tranquil, grounding ballad in which Reyna announces finally feeling her body, her spirit, her soul, and listening to all that surrounds her. “Huitzilïn,” the Nahuatl word for “hummingbird,” is a symbol of Indigenous strength in Mexico thought to guide those who are struggling to find their way home.\u003c\/p\u003e\n\u003cp\u003e“I’ve always wanted to have a home—a place or a sound or a person to go to—because I think our people, who are severed from our lands and our histories and our stories and our communities, have for generations not really known where to go,” Reyna said. “There are times on stage where I can feel that my movement isn’t my movement. I can feel that I’m being moved by and I’m speaking for other people. I know in my body when my ancestors are there, when a decision is us.”\u003c\/p\u003e\n\u003cp\u003eWhether enjoyed during listening parties or infectious live sets, the music will move listeners and irresistibly command a jump—into action in protection of the land, into the arms of a crush, into your own power and fearlessness, into steady body rolls along to the beat.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMalegría\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eoffers us all a chance to witness history in the making.\u003cbr\u003e—Emilly Prado\u003c\/p\u003e","brand":"Psychic Hotline","offers":[{"title":"Default Title","offer_id":48814501855541,"sku":"PSY040-LP-ORANGE","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0811\/2514\/6933\/files\/OrangeVinylMockSquare.jpg?v=1712932786"},{"product_id":"helado-tropical-helado-tropical-lp","title":"Helado Tropical - Helado Tropical (LP)","description":"\u003cp\u003e\u003cem\u003e140g black vinyl. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAll items in your cart will ship on or around July 17, 2026. This date is subject to change due to reasons beyond our control, and you may receive this product after its official release date. If you would like to receive other items sooner, please place two separate orders. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eImages provided are mockups, and final product may vary slightly in appearance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThere are collaborations that feel engineered, and then there are those that feel like summer sun’s warmth on a Sunday.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHelado Tropical\u003c\/em\u003e, the debut collaborative album from Helado Negro and Reyna Tropical, belongs to the latter, channeling that easy, sun-drenched tenderness into sound. It didn’t begin with a plan so much as a meeting: two artists orbiting similar questions around language, identity, and music, finally landing in the same room. What followed was less a traditional writing process than a shared unfolding – an instinctive, immersive exchange that stretched across geographies, time zones, and states of being.\u003cbr\u003e\u003cbr\u003eThe duo first met in June 2024 in North Carolina, brought together by a mutual friend and a loose invitation to spend time in the studio. What might have been a brief session turned into something closer to a three-day sleepover – equal parts conversation, curiosity, and creative risk. Reyna Tropical, who often works within intimate, long-standing collaborations, arrived unsure of what it would mean to open their process to someone new. Helado Negro, long known for expanding the sonic and emotional language of Latin music, entered with a similar openness: no expectations, just a willingness to see what might emerge.\u003cbr\u003e\u003cbr\u003eWhat emerged was immediate, rather than easing into collaboration, the two found themselves propelled forward by it – building songs in real time, responding to each other’s instincts without over-explaining them. There was no rigid division of roles. One would begin an idea, the other would answer. A melody would suggest a rhythm; a rhythm would reshape a lyric. “There was never a moment where we felt super stuck,” Helado Negro recalls. “It was just like ‘ok what’s next?’ and even within the songs, trying to create these micro worlds – we just felt excited about each moment.” \u003cbr\u003e\u003cbr\u003eThat sense of momentum became foundational to \u003cem\u003eHelado Tropical\u003c\/em\u003e, a nine-song project that feels both weightless and deeply rooted. Built from guitars, drum machines, and synthesizers, the album resists clean categorization. It lives somewhere between ambient and rhythmic, intimate and expansive; essentially, a sonic language of its own making, shaped as much by feeling as by form.\u003cbr\u003e\u003cbr\u003eIf there is a unifying thread, it’s movement.\u003cbr\u003e\u003cbr\u003eThe album was written across multiple locations – North Carolina, Portland, and the midwest – with both artists continuing to shape the songs in between sessions, sending ideas back and forth in a kind of long-distance dialogue. At times, the process resembled a “postal service” exchange, each artist adding layers in solitude before returning to build together again. The result is music that carries a sense of travel within it – not just physical, but emotional and spiritual.\u003cbr\u003e\u003cbr\u003eFor Reyna Tropical, that movement became central to the project’s meaning. “You can really lose yourself in where you are and you can miss a lot of processing,” they say. “But I think that this particular album really was able to ground me in what movement means to me and just different characters that the range of movement, travel… environment – sun, wind, and water – has the potential to bring out.” The songs reflect that duality: they drift, swell, and shift, yet remain tethered to something steady beneath the surface.\u003cbr\u003e\u003cbr\u003eThat balance is perhaps most evident in “Sensación,” a song that explores intimacy outside of traditional frameworks. Rooted in curiosity, it opens up a more expansive understanding of closeness – one that, yes, can exist between people but also within oneself, and in fleeting shared moments. There is a softness to it, but also a charge: like a storm forming quietly in the distance.\u003cbr\u003e\u003cbr\u003eElsewhere, “Fluye” captures a different kind of release – an almost suspended state of awe, inspired in part by Reyna Tropical’s experience watching a sunrise stretch endlessly across a long-haul flight. It’s a song about surrendering to flow, awakening, and recognizing continuity and connection – even in moments of disorientation.\u003cbr\u003e\u003cbr\u003eAnd then there is “Tocando,” one of the album’s most visceral recordings. Built from a pre-existing beat Helado Negro introduced during their sessions, the track took shape after more than a day without sleep. Reyna Tropical recalls pacing, waiting for the lyrics to arrive, before finally delivering them in what they describe as an almost essay-like outpouring. The result is a song that holds tension and tenderness simultaneously: a meditation on relationships that feels both fragile and fraught, intimate yet edged with warning.\u003cbr\u003e\u003cbr\u003eThat duality of softness and sharpness, as well as openness and resistance, runs throughout the album. It’s there in “Soledad,” the final track recorded, which came together in a single late-night session after the project was technically complete. What began as an improvisation on keys turned into something magnetic, keeping both artists back into creation. “[We] couldn’t leave the room,” Reyna Tropical says. The finished song retains that energy between them, and sense of flow coupled with immediacy, unfolding with minimal alteration from its original form.\u003cbr\u003e\u003cbr\u003eAcross \u003cem\u003eHelado Tropical\u003c\/em\u003e, there is a noticeable absence of constraint: not just musically, but conceptually. Both artists share a long-standing resistance to the expectations often placed on Latin music: what it should sound like, how it should feel, what stories it should tell. As they do individually, these two artists create space for something more fluid and personal on this project.\u003cbr\u003e\u003cbr\u003eThat freedom extends to the album’s emotional perspective. While many of the songs explore intimacy, they rarely function as direct dialogues between the two voices. Instead, they exist within a shared world where each artist expresses something individual and collective. “It’s not about us speaking to each other,” Helado Negro explains. “It’s about us existing in the same feeling.”\u003cbr\u003e\u003cbr\u003eWhat makes \u003cem\u003eHelado Tropical\u003c\/em\u003e particularly resonant is the sense of trust that underpins it. Trust in each other, of course, but also trust in instinct, in process, and the idea that not everything needs to be fully understood in the moment it’s created. Much of the album was written through improvisation, with meaning revealing itself only later, as the artists listened back and reflected.\u003cbr\u003e\u003cbr\u003eIn that way, the project functions as both creation and documentation: a record of a specific time, place, and connection. Reyna Tropical describes it as a form of archiving – capturing not just songs, but the emotional and relational context in which they were made. “It was a lot of processing, a lot of transition” they say about where they were at personally. Ultimately, it was about understanding that “this is supposed to be released so we could keep going. I really feel like this album does that personally, and hopefully is able to hold that for other people too.”\u003cbr\u003e\u003cbr\u003eThat forward motion propelled by release is felt in every part of the album. It hums beneath the surface of even its quietest moments, carrying a sense of continuation, and of something still unfolding.\u003cbr\u003e\u003cbr\u003eUltimately, \u003cem\u003eHelado Tropical\u003c\/em\u003e encapsulates a moment of two artists meeting at the right moment, with the right openness, allowing something larger than either of them to take shape. It is spontaneous yet intentional, grounded yet expansive, deeply personal yet invitingly universal.\u003cbr\u003e\u003cbr\u003eAnd this convergence of forces is just the beginning.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Psychic Hotline","offers":[{"title":"Default Title","offer_id":52864883294517,"sku":"PSY061-LP","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0811\/2514\/6933\/files\/HeladoTropical-HeladoTropicalStandardLPMockup_FRONT.jpg?v=1778515981"},{"product_id":"helado-tropical-helado-tropical-celestial-trio-lp","title":"Helado Tropical - Helado Tropical (Celestial Trio LP)","description":"\u003cp\u003e\u003cem\u003e140g Celestial Trio color vinyl. Limited to 500 copies worldwide.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAll items in your cart will ship on or around July 17, 2026. This date is subject to change due to reasons beyond our control, and you may receive this product after its official release date. If you would like to receive other items sooner, please place two separate orders. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eImages provided are mockups, and final product may vary slightly in appearance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThere are collaborations that feel engineered, and then there are those that feel like summer sun’s warmth on a Sunday.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHelado Tropical\u003c\/em\u003e, the debut collaborative album from Helado Negro and Reyna Tropical, belongs to the latter, channeling that easy, sun-drenched tenderness into sound. It didn’t begin with a plan so much as a meeting: two artists orbiting similar questions around language, identity, and music, finally landing in the same room. What followed was less a traditional writing process than a shared unfolding – an instinctive, immersive exchange that stretched across geographies, time zones, and states of being.\u003cbr\u003e\u003cbr\u003eThe duo first met in June 2024 in North Carolina, brought together by a mutual friend and a loose invitation to spend time in the studio. What might have been a brief session turned into something closer to a three-day sleepover – equal parts conversation, curiosity, and creative risk. Reyna Tropical, who often works within intimate, long-standing collaborations, arrived unsure of what it would mean to open their process to someone new. Helado Negro, long known for expanding the sonic and emotional language of Latin music, entered with a similar openness: no expectations, just a willingness to see what might emerge.\u003cbr\u003e\u003cbr\u003eWhat emerged was immediate, rather than easing into collaboration, the two found themselves propelled forward by it – building songs in real time, responding to each other’s instincts without over-explaining them. There was no rigid division of roles. One would begin an idea, the other would answer. A melody would suggest a rhythm; a rhythm would reshape a lyric. “There was never a moment where we felt super stuck,” Helado Negro recalls. “It was just like ‘ok what’s next?’ and even within the songs, trying to create these micro worlds – we just felt excited about each moment.” \u003cbr\u003e\u003cbr\u003eThat sense of momentum became foundational to \u003cem\u003eHelado Tropical\u003c\/em\u003e, a nine-song project that feels both weightless and deeply rooted. Built from guitars, drum machines, and synthesizers, the album resists clean categorization. It lives somewhere between ambient and rhythmic, intimate and expansive; essentially, a sonic language of its own making, shaped as much by feeling as by form.\u003cbr\u003e\u003cbr\u003eIf there is a unifying thread, it’s movement.\u003cbr\u003e\u003cbr\u003eThe album was written across multiple locations – North Carolina, Portland, and the midwest – with both artists continuing to shape the songs in between sessions, sending ideas back and forth in a kind of long-distance dialogue. At times, the process resembled a “postal service” exchange, each artist adding layers in solitude before returning to build together again. The result is music that carries a sense of travel within it – not just physical, but emotional and spiritual.\u003cbr\u003e\u003cbr\u003eFor Reyna Tropical, that movement became central to the project’s meaning. “You can really lose yourself in where you are and you can miss a lot of processing,” they say. “But I think that this particular album really was able to ground me in what movement means to me and just different characters that the range of movement, travel… environment – sun, wind, and water – has the potential to bring out.” The songs reflect that duality: they drift, swell, and shift, yet remain tethered to something steady beneath the surface.\u003cbr\u003e\u003cbr\u003eThat balance is perhaps most evident in “Sensación,” a song that explores intimacy outside of traditional frameworks. Rooted in curiosity, it opens up a more expansive understanding of closeness – one that, yes, can exist between people but also within oneself, and in fleeting shared moments. There is a softness to it, but also a charge: like a storm forming quietly in the distance.\u003cbr\u003e\u003cbr\u003eElsewhere, “Fluye” captures a different kind of release – an almost suspended state of awe, inspired in part by Reyna Tropical’s experience watching a sunrise stretch endlessly across a long-haul flight. It’s a song about surrendering to flow, awakening, and recognizing continuity and connection – even in moments of disorientation.\u003cbr\u003e\u003cbr\u003eAnd then there is “Tocando,” one of the album’s most visceral recordings. Built from a pre-existing beat Helado Negro introduced during their sessions, the track took shape after more than a day without sleep. Reyna Tropical recalls pacing, waiting for the lyrics to arrive, before finally delivering them in what they describe as an almost essay-like outpouring. The result is a song that holds tension and tenderness simultaneously: a meditation on relationships that feels both fragile and fraught, intimate yet edged with warning.\u003cbr\u003e\u003cbr\u003eThat duality of softness and sharpness, as well as openness and resistance, runs throughout the album. It’s there in “Soledad,” the final track recorded, which came together in a single late-night session after the project was technically complete. What began as an improvisation on keys turned into something magnetic, keeping both artists back into creation. “[We] couldn’t leave the room,” Reyna Tropical says. The finished song retains that energy between them, and sense of flow coupled with immediacy, unfolding with minimal alteration from its original form.\u003cbr\u003e\u003cbr\u003eAcross \u003cem\u003eHelado Tropical\u003c\/em\u003e, there is a noticeable absence of constraint: not just musically, but conceptually. Both artists share a long-standing resistance to the expectations often placed on Latin music: what it should sound like, how it should feel, what stories it should tell. As they do individually, these two artists create space for something more fluid and personal on this project.\u003cbr\u003e\u003cbr\u003eThat freedom extends to the album’s emotional perspective. While many of the songs explore intimacy, they rarely function as direct dialogues between the two voices. Instead, they exist within a shared world where each artist expresses something individual and collective. “It’s not about us speaking to each other,” Helado Negro explains. “It’s about us existing in the same feeling.”\u003cbr\u003e\u003cbr\u003eWhat makes \u003cem\u003eHelado Tropical\u003c\/em\u003e particularly resonant is the sense of trust that underpins it. Trust in each other, of course, but also trust in instinct, in process, and the idea that not everything needs to be fully understood in the moment it’s created. Much of the album was written through improvisation, with meaning revealing itself only later, as the artists listened back and reflected.\u003cbr\u003e\u003cbr\u003eIn that way, the project functions as both creation and documentation: a record of a specific time, place, and connection. Reyna Tropical describes it as a form of archiving – capturing not just songs, but the emotional and relational context in which they were made. “It was a lot of processing, a lot of transition” they say about where they were at personally. Ultimately, it was about understanding that “this is supposed to be released so we could keep going. I really feel like this album does that personally, and hopefully is able to hold that for other people too.”\u003cbr\u003e\u003cbr\u003eThat forward motion propelled by release is felt in every part of the album. It hums beneath the surface of even its quietest moments, carrying a sense of continuation, and of something still unfolding.\u003cbr\u003e\u003cbr\u003eUltimately, \u003cem\u003eHelado Tropical\u003c\/em\u003e encapsulates a moment of two artists meeting at the right moment, with the right openness, allowing something larger than either of them to take shape. It is spontaneous yet intentional, grounded yet expansive, deeply personal yet invitingly universal.\u003cbr\u003e\u003cbr\u003eAnd this convergence of forces is just the beginning.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Psychic Hotline","offers":[{"title":"Default Title","offer_id":52864910426421,"sku":"PSY061-LP-CELESTIAL","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0811\/2514\/6933\/files\/HeladoTropical-HeladoTropicalCelestialTrioLPMockup_FRONT.jpg?v=1778516206"},{"product_id":"helado-tropical-helado-tropical-cd","title":"Helado Tropical - Helado Tropical (CD)","description":"\u003cp\u003e\u003cem\u003eCompact disc.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAll items in your cart will ship on or around July 17, 2026. This date is subject to change due to reasons beyond our control, and you may receive this product after its official release date. If you would like to receive other items sooner, please place two separate orders. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eImages provided are mockups, and final product may vary slightly in appearance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThere are collaborations that feel engineered, and then there are those that feel like summer sun’s warmth on a Sunday.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHelado Tropical\u003c\/em\u003e, the debut collaborative album from Helado Negro and Reyna Tropical, belongs to the latter, channeling that easy, sun-drenched tenderness into sound. It didn’t begin with a plan so much as a meeting: two artists orbiting similar questions around language, identity, and music, finally landing in the same room. What followed was less a traditional writing process than a shared unfolding – an instinctive, immersive exchange that stretched across geographies, time zones, and states of being.\u003cbr\u003e\u003cbr\u003eThe duo first met in June 2024 in North Carolina, brought together by a mutual friend and a loose invitation to spend time in the studio. What might have been a brief session turned into something closer to a three-day sleepover – equal parts conversation, curiosity, and creative risk. Reyna Tropical, who often works within intimate, long-standing collaborations, arrived unsure of what it would mean to open their process to someone new. Helado Negro, long known for expanding the sonic and emotional language of Latin music, entered with a similar openness: no expectations, just a willingness to see what might emerge.\u003cbr\u003e\u003cbr\u003eWhat emerged was immediate, rather than easing into collaboration, the two found themselves propelled forward by it – building songs in real time, responding to each other’s instincts without over-explaining them. There was no rigid division of roles. One would begin an idea, the other would answer. A melody would suggest a rhythm; a rhythm would reshape a lyric. “There was never a moment where we felt super stuck,” Helado Negro recalls. “It was just like ‘ok what’s next?’ and even within the songs, trying to create these micro worlds – we just felt excited about each moment.” \u003cbr\u003e\u003cbr\u003eThat sense of momentum became foundational to \u003cem\u003eHelado Tropical\u003c\/em\u003e, a nine-song project that feels both weightless and deeply rooted. Built from guitars, drum machines, and synthesizers, the album resists clean categorization. It lives somewhere between ambient and rhythmic, intimate and expansive; essentially, a sonic language of its own making, shaped as much by feeling as by form.\u003cbr\u003e\u003cbr\u003eIf there is a unifying thread, it’s movement.\u003cbr\u003e\u003cbr\u003eThe album was written across multiple locations – North Carolina, Portland, and the midwest – with both artists continuing to shape the songs in between sessions, sending ideas back and forth in a kind of long-distance dialogue. At times, the process resembled a “postal service” exchange, each artist adding layers in solitude before returning to build together again. The result is music that carries a sense of travel within it – not just physical, but emotional and spiritual.\u003cbr\u003e\u003cbr\u003eFor Reyna Tropical, that movement became central to the project’s meaning. “You can really lose yourself in where you are and you can miss a lot of processing,” they say. “But I think that this particular album really was able to ground me in what movement means to me and just different characters that the range of movement, travel… environment – sun, wind, and water – has the potential to bring out.” The songs reflect that duality: they drift, swell, and shift, yet remain tethered to something steady beneath the surface.\u003cbr\u003e\u003cbr\u003eThat balance is perhaps most evident in “Sensación,” a song that explores intimacy outside of traditional frameworks. Rooted in curiosity, it opens up a more expansive understanding of closeness – one that, yes, can exist between people but also within oneself, and in fleeting shared moments. There is a softness to it, but also a charge: like a storm forming quietly in the distance.\u003cbr\u003e\u003cbr\u003eElsewhere, “Fluye” captures a different kind of release – an almost suspended state of awe, inspired in part by Reyna Tropical’s experience watching a sunrise stretch endlessly across a long-haul flight. It’s a song about surrendering to flow, awakening, and recognizing continuity and connection – even in moments of disorientation.\u003cbr\u003e\u003cbr\u003eAnd then there is “Tocando,” one of the album’s most visceral recordings. Built from a pre-existing beat Helado Negro introduced during their sessions, the track took shape after more than a day without sleep. Reyna Tropical recalls pacing, waiting for the lyrics to arrive, before finally delivering them in what they describe as an almost essay-like outpouring. The result is a song that holds tension and tenderness simultaneously: a meditation on relationships that feels both fragile and fraught, intimate yet edged with warning.\u003cbr\u003e\u003cbr\u003eThat duality of softness and sharpness, as well as openness and resistance, runs throughout the album. It’s there in “Soledad,” the final track recorded, which came together in a single late-night session after the project was technically complete. What began as an improvisation on keys turned into something magnetic, keeping both artists back into creation. “[We] couldn’t leave the room,” Reyna Tropical says. The finished song retains that energy between them, and sense of flow coupled with immediacy, unfolding with minimal alteration from its original form.\u003cbr\u003e\u003cbr\u003eAcross \u003cem\u003eHelado Tropical\u003c\/em\u003e, there is a noticeable absence of constraint: not just musically, but conceptually. Both artists share a long-standing resistance to the expectations often placed on Latin music: what it should sound like, how it should feel, what stories it should tell. As they do individually, these two artists create space for something more fluid and personal on this project.\u003cbr\u003e\u003cbr\u003eThat freedom extends to the album’s emotional perspective. While many of the songs explore intimacy, they rarely function as direct dialogues between the two voices. Instead, they exist within a shared world where each artist expresses something individual and collective. “It’s not about us speaking to each other,” Helado Negro explains. “It’s about us existing in the same feeling.”\u003cbr\u003e\u003cbr\u003eWhat makes \u003cem\u003eHelado Tropical\u003c\/em\u003e particularly resonant is the sense of trust that underpins it. Trust in each other, of course, but also trust in instinct, in process, and the idea that not everything needs to be fully understood in the moment it’s created. Much of the album was written through improvisation, with meaning revealing itself only later, as the artists listened back and reflected.\u003cbr\u003e\u003cbr\u003eIn that way, the project functions as both creation and documentation: a record of a specific time, place, and connection. Reyna Tropical describes it as a form of archiving – capturing not just songs, but the emotional and relational context in which they were made. “It was a lot of processing, a lot of transition” they say about where they were at personally. Ultimately, it was about understanding that “this is supposed to be released so we could keep going. I really feel like this album does that personally, and hopefully is able to hold that for other people too.”\u003cbr\u003e\u003cbr\u003eThat forward motion propelled by release is felt in every part of the album. It hums beneath the surface of even its quietest moments, carrying a sense of continuation, and of something still unfolding.\u003cbr\u003e\u003cbr\u003eUltimately, \u003cem\u003eHelado Tropical\u003c\/em\u003e encapsulates a moment of two artists meeting at the right moment, with the right openness, allowing something larger than either of them to take shape. It is spontaneous yet intentional, grounded yet expansive, deeply personal yet invitingly universal.\u003cbr\u003e\u003cbr\u003eAnd this convergence of forces is just the beginning.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Psychic Hotline","offers":[{"title":"Default Title","offer_id":52864914030901,"sku":"PSY061-CD","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0811\/2514\/6933\/files\/HeladoTropical-HeladoTropicalCDMockup_FRONT.jpg?v=1778516466"}],"url":"https:\/\/psychic-hotline.myshopify.com\/collections\/helado-tropical.oembed","provider":"Psychic Hotline","version":"1.0","type":"link"}